In my art, I believe that the materials we use are not just passive objects but are capable of evoking empathy and memory. Living in Grenada, we are surrounded by rich natural resources and vibrant stories, both of which inform our sense of self and community. By working with materials that are familiar and readily available—such as sea fans or banana fibers—we create connections that are deeply personal and inclusive. These materials speak to who we are and where we come from.

For example, when we encounter a sea fan, it may stir a memory of the ocean or a sense of place tied to our island landscape. This relationship between material and memory enriches our art and strengthens our identity. By grounding our stories in our own context, we resist the pull to define ourselves through global brands or external cultural forces. Instead, our identity becomes rooted in the land, the objects, and the shared experiences of our community.

Ultimately, engaging with our landscape in this way allows us to cultivate a fuller, more authentic humanity. It is through these materials, stories, and connections that we truly celebrate who we are.