After the 8 pieces that made up the installation Sea Lungs was stolen in Venice at the end of 2017 by Omar Donia, I am recreating the series from the stencils I still have. The recreation of this series is like pulling the pieces through time and space and reclaiming them. It is at times […]Read more "Sea Lungs: New Iterations (2019)"
In LaLuna’s “Enchanted Forest”, a space made available to artists in Grenada to install sculptures and land art, I see it as a contemplative space. My contribution, “Burnt Cube” is entirely contemplative and designed to play with the way we view natural spaces. The cube “frames” parts of the wooded area from all directions. The […]Read more "Burnt Cube 2018"
“History a forgotten, insomniac night; History and elemental awe are always our early beginning, because the fate of poetry is to fall in love with the world, in spite of History.” Derek Walcott in his Nobel lecture, The Antilles: Fragments of Epic Memory, explores the diverse lineage of the Caribbean through vivid imagery and the […]Read more "“Tower” 2018"
Still lifes as a tradition in painting have been used to represent a certain quality of life. By extension in art history they serve to show what someone was able to obtain and thus communicates to the viewer what sort of person they were. People have always used objects and symbols to stand in […]Read more "Drowned Still Lifes (2018)"
Society: Cocoa New Work by Asher Mains For centuries people and societies have sought after gold. For personal wealth and for the stability of society the pursuit of gold is a large chapter in the history of the Western world. Even today, the gold standard backs some of the world’s currency. When gold could not […]Read more "Society: Cocoa (2016)"