Empathy of Place: Carriacou’s Shakespeare Mas. 59th Biennale di Venezia, Grenada National Pavilion (2022)

Working with several other artists from Grenada over the past year as Cypher Art Collective, I am introducing this work as part of a local embodiment of long-term work of mine, Empathy of Place. I believe that the objects around us and the environment we live in contribute, poetically, to our identities. Further, the act […]

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Sea Lungs (2014 – present)

Context As someone who has grown up in the island environment, particularly Grenada, it is apparent how crucial our connection to the sea is. Whether the sea is feeding us or attracting visitors, we are in constant dialogue with and our health and well-being is in constant relation to the sea. The Sea Fans (Gorgonians) […]

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Bolivia Residency and Exhibit (2016)

  Grenadian Artist Excels in International Contemporary Art Following a landmark year of accomplishment in contemporary art, not just for Grenada, but for the region and internationally, Asher Mains continues his studio and research practice in Bolivia from April to May this year. Mains is primarily a painter but in recent years has expanded his […]

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Diaphanous Series (2014)

Here are a few images of my recent new work. I have been trying to think of a succinct name for these pieces. I think of them as my “transparent” work, although they are not really transparent. I think of them as my “Sea Fan” series even though not all of the pieces have sea […]

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Duct Tape Paintings (2014)

Here are a few of the duct tape paintings I did for my recent solo exhibition. The description is not cryptic, I used duct tape in the pieces along with spray paint and oil paint to give a mixed media (and mixed technique) approach to my subjects. I used a burner to melt designs into […]

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Grafted Narratives (2014)

Grafted Narratives, Dual Show with Susan Mains – 2014 Asher Mains Our realities can only be shaped by the language we use to describe and interpret them. By expanding the vocabulary of our experiences we are rewarded with a more elusive, vibrant reality. The words we use can be limiting; in this body of work […]

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